The image shows a workspace viewed from above, featuring an open, thick-paper sketchbook. On the left side of the notebook, there is an unfinished illustration, done in watercolour and pen, depicting a section of an old stone façade. The drawing shows an upper stretch of wall with irregular blocks and, below it, a doorway with architectural details. The door is green and has small rectangular windows. The watercolour uses earthy tones, soft greens, and splatters of paint, creating a light, spontaneous, and plein air study atmosphere. The right side of the page is mostly blank, save for the handwritten inscription, “Iglesia de San Martín, Dinan.” This empty area reinforces the sense of process, as if the artist is midway through the visual record of the location. Painting materials surround the sketchbook: to the left, brushes and a used paper towel; above, a watercolour palette with mixed colours and a glass jar; to the right, three drawing pens and a mechanical pencil. The setting is illuminated by soft light, creating a sense of quiet concentration and an intimate moment of creation, where the focus is on observing, interpreting, and slowly constructing the image.

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